Seventy years after Pather Panchali released on August 26, 1955, we finally get it. Shuttling between the village of Boral and a studio in Calcutta, caught between worrying about the next purse of funds and wondering which item to mortgage next, Satyajit Ray was explaining Indians to themselves, discovers Sreehari Nair.
'Ahaan Panday and Aneet Padda have captured the relevance to and imagination of Gen Z and millennial viewers.'
More screens, more films, and longer windows will convert to more people watching, assuming they know a film is releasing, points out Vanita Kohli-Khandekar.
'The evening show is coming to an end, and everyone is on the phone and I want to take everyone's call.' 'I want to ask how they liked the film. How did they feel when they left the cinema while crying?'
'We're witnessing a consistent surge in audience demand for IMAX screenings, particularly for high-octane, spectacle-driven films.'
'Your family doesn't want you to come to this field because there's no direction, no formula.' 'It's not as if your career is settled and you will get work consistently.'
'So my question was, 'What is it that you are proud of? What have you achieved? What is your contribution?' 'He had no answer.'
'You need the drishti, the experience. I am beginning to see things differently.'
'When India opened its doors to the world, moving away from an agrarian to a market economy, everything, whether life or love, was commodified.'
No author in the Malayalam literary canon has influenced and profoundly changed the way normal people interact with each other than the ever-relevant, eclectic yet elusive body of work left behind by MT Vasudevan Nair, notes Arjun Menon.
Harshaali Malhotra, best known for playing Munni in the Salman Khan-starrer Bajrangi Bhaijaan, will make her debut in Telugu cinema with Akhanda 2: Thaandavam.
'The film-literate public in Kerala are not happy watching run-of-the-mill movies.'
'Some time back, music was just noise.' 'Producers wrongly think item songs sell better.' 'Audiences are intelligent, they accept whatever you give, but that doesn't mean you can fool them.'
With 17 films crossing the Rs 100 crore mark in the first six months, this year relied less on big-ticket blockbusters.
Varun Aaron said that the England batting unit is not going to be "very comfortable" heading into the third Test against India at Lord's
'Even if I had the backing of a big corporate house, which I don't, in today's market, I wouldn't want the responsibility of making a Rs 300 crore-Rs 400 crore film.'
Akash Deep dedicated his stellar performance in the second Test to his sister, who has been battling cancer for the past two months.
Over-the-top platforms make it difficult for movies to run for long periods on the silver screen, thus hurting the cinema industry.
After all, she was working with three legends -- Kamal Haasan, Mani Ratnam and A R Rahman.
Audiences will hope that Rajinikanth's Coolie, Lokesh Kanagaraj's action film and Rajkumar Hirani's Dadasaheb Phalke biopic are not marred by Aamir Khan's disconcerting, repetitive performances. Aamir's real strength lies in championing stories that challenge conventions and are considered risky by mainstream filmmakers.
'If a survey were conducted, many people wouldn't understand the concept.' 'Thanks to Rangeen, a conversation has started.'
There's a reason why Anupam Kher directed Tanvi The Great.
Veteran filmmaker Chandra Barot, best known for directing the 1978 Amitabh Bachchan-starrer 'Don', passed away on Sunday due to cardiac arrest at a hospital in Mumbai. He was 86.
'It's rare for an actor to find something new to break an image.'
'He was a tremendous artist of a very high order, gone too soon. He not only reshaped the visual language of Indian Cinema through his cinematography in Aravindan's films, Shaji sir gave us all a sense of direction through his mainstream work as a cameraman.'
'The largest listenership for Vividh Bharati outside the country is in Spain.' 'The labourers who go there for the tomato-picking season feel cut off from their country and listen to Vividh Bharati to overcome their loneliness.'
'We should support cinema that's rooted in our culture and not ape the West.'
'It's a tremendous accomplishment to have a father like Amitabh Bachchan and still be so sorted, to not taste the kind of success that he should have and yet be so balanced.'
'As an actor I feel I have a strong relatability with the common Indian.' 'Madhav Mishra is not a character of cinema, he is a character from and of our society.'
'Bappi Lahiri was looking for a break so he and his father would meet me.' 'I told Director Bhisham Kohli about this promising young boy from Kolkata, and Bappi came over with his harmonium.' 'Bappi played this composition and Bhisham liked it immediately.' 'As we were discussing, I said I would give the words, and that's how I wrote this song.'
'Suchitra Sen threatened to leave, with the film only 80 per cent complete.'
'The Indian Army won't induct anyone who has killed Indian soldiers.' 'That's why the army respects these reformed men so much -- they're on the frontline now, protecting India.'
Aamir is also reuniting with PK Director Rajkumar Hirani for a biopic on Dadasaheb Phalke, the Father of Indian Cinema.
Akhtar criticised vested interest groups in Pakistan, particularly the army, the political establishment and the extreme right wing, for blocking peace efforts between the two nations.
The unspoken subject of Mithya is violence, and the big zinger here is our recognition that the movie is showing us the makings of a juvenile delinquent -- perhaps the finest since Truffaut unleashed his Antoine Doinel, applauds Sreehari Nair.
'I always think I'm going to do maybe two films a year. But then I get these really good scripts and I get greedy.'
Guru Dutt took an overdose of pills twice, once even swallowing opium, calling out for Geeta Dutt even when he was not fully conscious. One suicide attempt, according to sister Lalita Lajmi, was definitely deliberate with Guru Dutt leaving a letter for brother Atma Ram asking him to take care of the production company, his wife and the kids. But she always wondered if the third attempt was actually suicide since there were no calls and no letters.
'When Shahid, Ishaan and I are together, it is a madhouse because we are all performers.'
Metro... In Dino is about modern day relationships that feel 'relatable'.
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